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c. 1445 – May 17, 1510. Italian painter.

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PIAZZETTA, Giovanni Battista
Elijah Taken up in a Chariot of Fire

ID: 19875

PIAZZETTA, Giovanni Battista Elijah Taken up in a Chariot of Fire
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PIAZZETTA, Giovanni Battista Elijah Taken up in a Chariot of Fire


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PIAZZETTA, Giovanni Battista

Italian Rococo Era Painter, ca.1683-1754  Related Paintings of PIAZZETTA, Giovanni Battista :. | Beggar Boy (mk08) | The Guardian Angel with Sts Anthony of Padua and Gaetano Thiene af | Judith and Holofernes | St James Brought to Martyrdom kkjh | St. John the Baptist |
Related Artists:
Jan Miense Molenaer
Dutch Baroque Era Painter, ca.1610-1668 was a Dutch genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of the successful Dutch painter, Frans Hals. Molenaer achieved a style close to Hals early on in his career, but later developed a style like that of Dutch genre painter, Adriaen van Ostade. His genre works often depicted players of music, such as his The Music Makers (Museum of Fine Arts, Budapest), The Duet ((Seattle Art Museum), or Family Making Music (Frans Hals Museum). He also depicted Taverns and the activities of card games or games of the times such as La main chaude, or in Dutch, Handjeklap, which literally means clapping hands. Molenaer also cleverly depicted biblical stories in his own time and surroundings, such as representing a scene from Peter's Gospel set in a Dutch Tavern in, The Denying of Peter (Museum of Fine Arts, Budapest)
Duccio di Buoninsegna
1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
Albert Henry Fullwood
British, 1864-1930






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